It’s almost funnier than Frank providing a certificate that he doesn’t have “Donkey Brains” in It’s Always Sunny in Philadelphia: https://www.youtube.com/watch?v=TT4vVLvvb2U

Truly. I didn’t know a song could make me cry until I listened to Billy Austin, a song Earle wrote about the death penalty.

I appreciate that you gave it a listen! Hopefully you appreciated it

I know y’all are quoting System of a Down, so I want to share a country song about exactly this…because the difference in the musical styles is neat. One of my favorites by Steve Earle: Rich Man’s War.

It’s a song I’ve always loved for the direct message of rich people using poor folks as soldiers in wars…but also the way it weaves in a larger economic picture about the decisions by the rich that put people in the very desperate positions that they later exploit.

To try to answer, succinctly (which I’m bad at): looking backward is easier than looking forward. What I mean by that is since you didn’t get into the series until 3, it makes sense that you wouldn’t have a problem with 3 and 4, since it’s harder to see what the series could have been…as pretentious as that sounds.

Where much of the hate comes from (and I think a lot of it is overblown - I’m not trying to justify the behavior of the maniacs out there) is that the overarching progression of the series feels reset. Fallout 1 -> Fallout 2 showed a progression in a *post-*post-apocalyptic world, with society advancing again, to some degree. Shady Sands grew between 1 and 2, and was the foundation of the NCR.

So Fallout 3 at the time was IMHO a disappointment because the setting felt more generic, and like they were just playing the greatest hits from 1 and 2. I get the arguments that the setting in-universe was hit harder, but it still felt weird that it was post-apocalpytic instead of post-post-apocalyptic.

One reason (as always, IMHO) that New Vegas was so popular is that it continued to build on 1 and 2. We saw the NCR had continued to grow, other factions rise in importance, and generally felt less like the bombs had dropped the year prior. It’s what a lot of folks hoped Fallout 3 would be, in that sense. That’s my own biased view though, so take it with a grain of salt - there’s folks who want more humor, only isometric, more complex and branching storylines, etc.

Plenty of folks do worry about the possibility of being sued though, so getting rid of a chilling effect is good. Not everyone wants to even deal with the legal struggle or anxiety that would come with that, so it’s good. It gives workers more rights, which is good.

I think I’m confused though about your second paragraph: do you mean that companies only enforce these things on big names, who have money to defend themselves anyway? If so, seems like there’d definitely be a chilling effect for anyone making less, unless they’re willing to take a chance.

Half-Life: Alyx is mostly what I hoped we’d get from HL3, inasmuch as it hits your points a & b for sure, and IMHO c (though I know that’s not agreed on by everyone). It had great action and expository setpieces (avoiding spoilers), and the (albeit relatively simple) puzzles definitely added something to Half-Life that really worked for me.

Unfortunately it didn’t solve all VR issues (melee being an obvious one), and not least of which the cost. I played it on a cheap (~$100), janky old WMR headset, but not everyone can do that without vomiting, so a great PC and good headset are a hefty price, which is probably the biggest hurdle for a full-scale 3 in VR. Especially considering there just aren’t many other games worth making that investment in, IMHO. I played the hell out of Alyx, a little of a few other games…but Alyx was the pinnacle of what VR could do for me.

Alyx was incredible though! Way more than a tech demo (though I get the argument that it was a test to see if folks would pick up a VR Half-life 3). I played it on a cheap, used WMR headset and an old PC that could barely keep up, and it still stays in my top five videogaming experiences.

It’s a great example to bring up though, because I’d bet it wouldn’t have been made if the studio was only chasing money instead of trying to innovate.

I wonder if there will be a couple Putin-approved “vaguely possibly anti-Putin” talking points allowed, for the sole purpose of avoiding that (obviously true) accusation. So the Fox News heads can say “Tucker has the balls to stand up to Putin, it’s not propaganda!”, and Putin still wins.

Can they murder people on their property? Or is there some limit to their ability to make rules?

You’re entitled to feel the way you do too, but it doesn’t change what I’ve seen in my years, either.

I think I’m being perfectly level headed, I’m just being a little snarky. At least equally snarky to your comment.

I just wanted to point out that nuance is possible with just a few additional words, but only if we choose to use nuance.

Well it’s a good thing you did the work and spoke with every Jewish person in north America to be able to paint with such a broad brush. I guess all the people I’ve spoken with we’re lying about their ethnicity.

In seriousness though, simply adding “many” or “a plurality of” is enough to add nuance to the discussion. Starting with the blanket “the Jews” isn’t a good look.

I appreciate you taking the time to say that! Thank you. My favorite song by him is probably Desperados Under the Eaves, if you’d ever like to hear the best of his music.

Reminds me of what Warren Zevon had to say about rich people problems, off Preludes. It came out a few years after his death, and the back half of the album has snippets from some radio interview(s?) he did. Neat musings by a complex dude: he was creative genius in a lot of ways, and a titanic asshole in a lot of other ways (he asked his ex-wife to write his biography, and to not go easy on him - alcoholism, violence, absentee parenting…it’s all there).

Anyway, that’s a preface for the folks who don’t know about him: he probably could have been a bigger financial success had he not been a disaster of a human, but maybe his dirty life and times gave him enough material to feed his creativity…who knows.

WZ: I was real lucky, because I always had some kind of work that came along - at the last minute, anyway.

I was always able to make some kind of living as a musician

I also never really got rich, and that might have been lucky too, ya know?

Interviewer: in what way?

WZ: Well, because the less time you spend with the issues of being rich

they’re like the issues of being famous

they’re not real issues

so they’re not real life.

Interviewer: And it leaves more time to be creative?

WZ: There’s more of an exchange - a human exchange of ideas and feelings to be had on the bus stop than over the phone with your accountant, and if you’re rich you spend a lot of time on the phone with your accountant. it’s necessary, I believe.

I know I’m happy and that means I must be lucky. That I know.

EDIT: this is not to say I wouldn’t be grateful for more money, myself, but I chose the life of a biologist - in ecology and evolution, no less. I’m happy to make a living, and it’s always a little shocking to see folks make double/triple what I do and say it’s “not much these days”. Those of us scraping by have a wildly different perspective, and I’d love to give folks a tour of what it looks like long-term.

To add to this: if the opposition party consistently shows up to vote, the dominant party gets nervous, and has to focus on the chance of losing. Not showing up means they’ve truly won.

It also shows the opposition party that they can and should invest the time in supporting that area, because there’s people who haven’t given up yet.

Also, the president isn’t the only person on the ballot, and small races are where more radical third parties actually have a shot!

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Also, if you bailed after driving the hovercraft, maybe you didn’t get to Black Mesa East, or Ravenholm? IMHO that’s where things really ramp up: story-wise (you meet more allies), and you get a better glimpse at the endgame. You get a neat tool to use (which also was mind-blowing in 2004, less so almost twenty years later), too.

If you don’t dig it though, I wouldn’t force it. I’m a fan of science fiction more than fantasy, so I’ve never finished a Dishonored game, but I love Prey. Just doesn’t hook me the way I know it could…just not my particular vibe I guess, which I think is OK.

I’ve got some student loans…

In addition to what others have said (all those examples are equally misleading IMHO), given that its the 25th Anniversary of Half-Life, a lot of us are primed to hope for news of a new game from Valve.

I had read your initial comment as insinuating the previous commenter was supporting hamas, and when someone directly challenged you on it, you didn’t reject that accusation.

So if you just wanted to point out the irony, consider my comment as much a non sequitor as your comment on its irony, which is - I suppose - at least irony-adjacent in itself.

Do you get mad at geologists for explaining why volcanoes erupt and kill people?