archive | I’m NOT interested in the review, but in the complaint about a generalized movie trend. The author, Louis Chilton, goes on a rant using about what he sees as having gone to far in and overly exemplified by the latest Marvel release:
If we are watching, as some critics have suggested, the death of cinema happen before our eyes, then it’s taken the form of a public execution.
It is a film that is about absolutely nothing – a film with no discernable purpose or artistic ambitions, beyond the perpetuation of its own corporate myth.
He explains a little:
Audiences didn’t love Blade because Snipes just showed up, stood there and barked catchphrases – he was part of a story, with a proper character, and stakes, and intentionality. That Marvel cannot see the difference – or, even worse, if it can see the difference but chooses to ignore it – is surely damning.
We call Deadpool & Wolverine a movie because it is released in cinemas, and is two hours long, but other than these technicalities, it shares almost nothing with a traditional blockbuster, when it comes to intent.
And finally concedes with admonishment:
And of course, people are allowed to enjoy what they like. But freebasing cocaine is surely enjoyable to many people; that doesn’t mean we should all get on board with its production and distribution.
Well he liked Blade, so I’m guessing his issue isn’t with comics in general.
I wasn’t suggesting he doesn’t like comic books. I’m suggesting he doesn’t understand that the Marvel movies are essentially following story, theme, characters, etc. from the Marvel comic books of those decades.